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Recent Articles
Recent Articles by Jonathan Garrett
Black Kids and Beatrix*JAR join the NYC pop group in the 7th St. Entry
The electro pop band rocks it up the second time around
Constantines release new album, tour in the name of Canuck-flavored indie rock
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National Features >
Riverfront Times
Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.
By Kristen Hinman
Broward-Palm Beach New Times
Here's how you become one of those people who screams at his kid's coach.
By Bob Norman
SF Weekly
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
Wire
Published on October 14, 2008 at 3:22am
In the wake of the lackluster Manscape and The First Letter in the early '90s, many had no doubt already prepared a mental epitaph for Wire. But that was before the explosive Read & Burn EP series and resulting album, Send, made the band not only relevant but vital once again. Those hoping for a continuation perhaps should have known better; throughout their 30-plus-year career, Wire have rarely been ones to dwell, and Object 47, the band's 11th studio album, continues their chameleonic tradition. The blunt, guitar-driven aggression of the early aughts has now given way to a percussive, synth-laden sound. It's tempting to interpret Object as something of a retreat, suggested not only by the more mannered musical approach but by the lead single's lyrical resignation as well ("Are you an also-ran, finished and inconsequential?"). But there's an intensity embedded in these songs that belies such facile readings. White flags, after all, hardly suit them. 18+.
Fri., Oct. 17, 8 p.m., 2008