Recent Blog Posts
Fri Sep 19, 3:30 PM
Thu Jan 8, 5:18 PM
Thu Jan 8, 6:06 PM
Thu Jan 8, 11:00 AM
Thu Oct 30, 7:37 PM
Thu Jan 8, 11:39 AM
No related articles found
National Features >
Broward-Palm Beach New Times
How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.
By Deirdra Funcheon
Westword
In life and death, tattoo artist Kauri Tiyme made her mark.
By Alan Prendergast
Village Voice
Amy Neustein never could resist going public with her family dramas.
By Elizabeth Dwoskin
Houston Press
A visit with the hurricane victims that a country forgot.
By John Nova Lomax
Xiu Xiu
Published on September 02, 2008 at 3:22am
The line between noisy pop and avant-garde noise gets smaller with every release from Xiu Xiu. They mix up folk, punk, and ambient noise with slices of almost everything else you can think of to create music that's catchy and personal while at the same time feeling icy and distant. It's difficult to love someone when you're not sure they feel the same way about you. You get sucked in by their openness and unflinching forthrightness, but after a bit you may begin to question whether they haven't shared too much, too soon. The subject matter is heavy (AIDS, suicide, war, just to name a few) and peppered with snippets of life (presumably singer-songwriter and sole remaining original member Jamie Stewart's) lived in the darkened corners of society many dare not illuminate. In truth, the distance their music creates is something of an illusion; it's not really so detached. Like viewing animals at the zoo, you're only safe because the glass doesn't break. But wouldn't that experience be quite a bit more thrilling and/or scary if the animals could break the glass from the other side? You might escape, but you'd hardly remain unscathed. With Prurient, Mary Halvorson, and Jessica Pavone. All ages.
Sat., Sept. 6, 5 p.m., 2008