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Recent Articles
Recent Articles by Andrea Swensson
Band set to jam once again with new album
New album combines polished folk and lo-fi charm
Band reaches across party lines to find new sense of unity
Local bands road trip to NYC for Draw Fire Showcase
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National Features >
Riverfront Times
Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.
By Kristen Hinman
Broward-Palm Beach New Times
Here's how you become one of those people who screams at his kid's coach.
By Bob Norman
SF Weekly
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
Small Cities
Published on May 22, 2008 at 3:21am
There's only one problem with the Small Cities's debut EP: It's four tracks long. The self-recorded, self-titled disc plays like a dream, with intricate pop structures reminiscent of a more moody Shins or slightly less moody Kid Dakota. Even the wavers in drummer David Osborn's voice seem perfectly timed to express a particular emotion: On closing track "I'm Gone," a slow-burning, blistering kiss-off, Osborn's delivery on the line "There's a whole in my heart where you stand" is painstakingly sincere. "What to do with the space in the bed, and everything that went unsaid?" The band responds in turn with echoing harmonies and a hair-raising crescendo that falls off into silence—the silence at the end of a disc that is too short and leaves the listener clamoring for more. The Small Cities celebrate the release of their EP with Black-Eyed Snakes, Mighty Fairly, and Fitzgerald. 21+.
Fri., May 23, 9 p.m., 2008