Blogs
Fri Jul 18, 5:07 PM
Fri Jul 18, 3:14 PM
Fri Jul 18, 6:11 PM
Fri Jul 18, 3:43 AM
Fri Jul 18, 5:46 PM
Fri Jul 18, 2:46 PM
Fri Jul 18, 4:03 AM
Thu Jul 17, 4:58 PM
Thu Jul 17, 11:30 AM
Thu Jul 17, 4:18 AM
Thu Jul 17, 3:10 PM
Wed Jul 16, 5:03 PM
Recent Articles
Recent Articles by Rick Mason
No related articles found
National Features >
Houston Press
What mainstream publishers don't want you to know about door-to-door magazine sales.
By Craig Malisow
Riverfront Times
When these huntresses on are on the prowl, the prey very much wants to be caught.
By Unreal
Broward-Palm Beach New Times
How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.
By Bob Norman
SF Weekly
Are Asian women getting their jawbones cut to look whiter?
By Lauren Smiley
Debashish Bhattacharya/The Biscuit Burners
Published on April 09, 2008
It might be pushing it to call Debashish Bhattacharya the Indian Elmore James, but both are masters of the slide guitar, slithering along the strings with exquisite touches, and their respective versions of soul. James may have never heard an Indian raga, but Bhattacharya, who designs his own instruments, has heard the blues, which he subtly mixes into his ragas, along with stray bits of Hawaiian steel guitar, flamenco, and jazz. The blues certainly seem present in the frenetic melody line of "Aviskaar," from Bhattacharya's new Calcutta Chronicles: Indian Slide-Guitar Odyssey (Riverboat), which ranges from trance-like meditations to playful fusions of world rhythms and classical raga. A North Carolina quartet, the Biscuit Burners play an innovative brand of Appalachian acoustic stuff they call fiery mountain music. Grounded in old-time country and bluegrass, the band stirs in jazz, reggae, and Indian ragas. Two members of the group reportedly studied with Bhattacharya.
Fri., April 11, 8 p.m., 2008