Most Popular
"Most Popular" tools sponsored by:
Blogs
Tue Jul 8, 2:12 PM
Tue Jul 8, 11:59 AM
Tue Jul 8, 12:39 PM
Tue Jul 8, 1:40 AM
Tue Jul 8, 4:12 PM
Mon Jul 7, 6:05 PM
Tue Jul 8, 1:43 PM
Tue Jul 8, 11:04 AM
Wed Jul 9, 1:01 AM
Tue Jul 8, 1:52 PM
Mon Jul 7, 4:21 PM
Mon Jul 7, 12:22 PM
Recent Articles
Recent Articles by Linda Shapiro
No related articles found
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Ballet of the Dolls
Published on March 12, 2008
Ballet of the Dolls has gone back to its loamy roots with the informal cabaret performances that made the company so popular in the 1980s. Throughout this season, the Dolls are presenting a cabaret series with multicultural (sort of) themes. Last October, artistic director Myron Johnson transported us to Paris, via prewar Berlin, in an eerie and elegant production that parsed the cabaret format and gave it a fierce new eloquence. This time out, it's "Fellini unbuckled" (probably an oxymoron), in which we see both sides of La Dolce Vita. In Part I, the Dolls strut their stuff in appropriately flamboyant fantasies. In Part II, Johnson delivers his first solo performance since 1999. If you have any interest in dance, theater, or seeing one of the great performers of the last four decades move you to laughter and tears, don't miss this one.
Thursdays, Fridays, 8 p.m.; Saturdays, 7:30 p.m. Starts: March 6. Continues through March 15, 2008