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Mad Doggy, Baldies Class of '88 Minneapolis
The trouble that was raised by most involved in the White Knights is something that I would never wish for any kid to see. Most of us who were around at that time are no longer involved in anything involving racism (although there are a few of the Bound for Glory skins still around in St. Paul). Most are fathers, husbands, and upstanding citizens, just like the members of the Baldies. My point is: We were young and looking for somewhere to belong. Many of us were misguided youth and easily influenced. If it weren't neo-Nazi skinheads, it would have been something else. I am not looking in any way for some sort of celebration of the racist skinhead movement at that time, far from it. I am just giving my side of it. More so, I would like to celebrate that generation and those who were involved in the mid- to late 1980s. It was an amazing period in history for Minneapolis, for music and for the punk/hardcore scene—a scene that will never be seen again. Thanks again for bringing me back. Oi!
Greg Anderson Minneapolis
In his review of the Shondes' single "Will you still love me tomorrow" (5ingles, 2/20/08), Ray Cummings doesn't even critique the song; just writes that the Shondes are not as good as they apparently think they are and that "You probably wouldn't want frontwoman Louisa Soloman to go down on you in a theater." Where is this coming from? Is this music criticism? What does this erotic fantasy of Cummings's have to do with the song? This is the kind of sexist trash that makes the music industry so disgusting. If Ray Cummings ever actually gets head in a theater I hope she bites it off. As a side note: How can you be sick of a single from a self-released album that gets little to no air play that came out a month ago?
Steve Dillon Minneapolis
It's not surprising to find sexism in the music biz. Overt passes from bookers, snide remarks from fellow musicians, and patronizing tones from instrument salesmen are all par for the course. But it is surprising when a City Pages columnist paints female musicians into a corner. In the February 20 column "5ingles," Ray Cummings says almost nothing about Brooklyn band the Shondes' music. But he is sure to include this tired line: "One thing's for sure: You probably wouldn't want frontwoman Louisa Soloman to go down on you in a theater." One would have expected City Pages' editors to have caught this barb and reminded Mr. Cummings that sexism is only the cheapest substitute for humor.
Nina Callaway Brookyn, New York
In regard to the recent article in City Pages about the notorious UPi (Uptown Properties, Inc) and owner Spiros Zorbalas, many people have been wondering what they can do to help ("The Slumlord of South Minneapolis," 1/30/08). Whether you are a past or current UPi tenant or just want to support the organizing efforts we are doing to force UPi to shape up or ship out, please contact me at Family & Children's Service in Minneapolis where I am a tenant organizer. We have had many successes over the years in forcing problem landlords and property management groups to clean up their acts. We also work hard to hold Minneapolis city officials accountable so that there are clear ordinances in place for tenants and landlords and that those ordinances are actually enforced. Unless everyone is content with people like Zorbalas draining public resources and treating tenants unfairly, we need to come together, organize, and push for the positive changes we want to see. So, if you're interested in getting involved, please contact me right away at the phone number or email address below.
Sara Hagestad Minneapolis
612.728.2040, sara.hagestad@fcsmn.org