Most Popular
"Most Popular" tools sponsored by:
Blogs
Sat Jul 5, 12:36 PM
Sat Jul 5, 11:16 AM
Fri Jul 4, 4:06 PM
Fri Jul 4, 4:36 AM
Fri Jul 4, 1:08 PM
Thu Jul 3, 4:03 PM
Thu Jul 3, 2:58 PM
Thu Jul 3, 12:59 PM
Fri Jul 4, 4:23 PM
Thu Jul 3, 12:13 PM
Wed Jul 2, 9:38 PM
Tue Jul 1, 12:06 PM
Recent Articles
Recent Articles by David Hansen
No related articles found
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Miranda Lambert
Published on February 20, 2008
A finalist on Nashville Star and winner of the Cover Girl Fresh Face of Country Music Award, Miranda Lambert has a résumé that reads like the instructions on a bag of Maruchan Smack Ramen. It's clear that she was launched from the same bottomless box of blank ammo that spawned the impotent, lucrative careers of LeAnn Rimes and Carrie Underwood. But bushwhack through those dubious honors and discover a talent that is re-purposing the powers of this musical munitions factory to push modernizing ideas on an industry plagued by as much misogyny as a 2 Live Crew tour. Unlike her hive-mind cohorts, she writes the majority of her own songs, and that freedom does not go unflexed. Seek out "Gunpowder and Lead" to hear her exult in the righteous glory of confronting an abusive boyfriend with a shotgun. Don't be blinded by Lambert's prefab stardom; her talent and her vision were hand-built brick by brick.
Sat., Feb. 23, 8 p.m., 2008