Most Popular

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

Anne Teresa de Keersmaeker: Fase

By Caroline Palmer

Published on February 06, 2008

Steve Reich's musical compositions are deceptively simple in their repetition, but spend a while with them and you soon discover a structure that offers infinite possibility. And so it goes with Belgian choreographer Anne Theresa De Keersmaeker's "Fase," a duet that delves into Reich's works with such rigorous intent that the bodies onstage seem to meld fast with the rhythms, creating a single entity of music and motion. The dancers swirl in ever-expanding circles, maneuver through complex gestural phrases, manipulate their shadows. Form is everything, it seems, at least at first, until the energy and flow generated by the performers suggest something else entirely: a sort of beauty one notices in nature when leaves pull back in the breeze or ripples skip across the water. "Fase" was created 25 years ago, and gave De Keersmaeker's career a boost, but it remains relevant and revelatory in the 21st century.
Feb. 7-9, 8 p.m., 2008



City Pages Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com