Most Popular

"Most Popular" tools sponsored by:

Recent Articles

Recent Articles by Christopher Matthew Jensen

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Richard Hawley

By Christopher Matthew Jensen

Published on December 05, 2007

Known as one of Britain's most formidable guitar slingers for hire, Richard Hawley made a name for himself by serving as a touring member of Pulp, and through cutting session work for the likes of Beth Orton, Robbie Williams, and Nancy Sinatra. Over the past six years, he's also built up a considerable solo catalog as a singer/songwriter, with five solid albums and a Mercury Prize nomination for his 2005 release, Coles Corner. His latest effort, Lady's Bridge, is another sophisticated rock/pop affair marked by Hawley's somber, Scott Walker-like baritone and tender lyrical sensibilities. Named after the oldest bridge in his hometown of Sheffield, England, much of the album seems to draw from the passing of his father, a longtime Teddy Boy and musician, and comments on Hawley's spiritual transition into life without him. For genuinely heartfelt songwriting and flawless rock composition, it doesn't get much better than this. With Ferraby Lionheart. 18+.
Fri., Dec. 7, 7 p.m., 2007



City Pages Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com