Most Popular

"Most Popular" tools sponsored by:

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Michael Monroe

By Rick Mason

Published on December 05, 2007

Singer-songwriter Michael Monroe abandoned the Twin Cities music scene in the mid-1990s for the North Shore, a log cabin in the woods, and a solar-powered studio. For his trouble he's been dubbed an "eco-folkie," an entirely honorable tag that accurately captures his perspective, nature-inspired tunes, and richly melodic acoustic music. This gig marks the release of his new, seasonally oriented album, Wintersong (MisTree), a collection as warm and full of sparkling light as a roaring fire guarding against an arctic gale. Graced with a dark-toned mellifluous voice, Monroe etches immutable images of north woods winter, interlacing his songs with vivid instrumentals featuring his limpid guitar and scampering flutes, including the haunting "Snow Leopard," which dances on Mark Anderson's scintillating percussion. Amidst the originals are a couple of fine covers about different kinds of chilled yearning: Joni Mitchell's "River" and Donovan's "Catch the Wind." With heartfelt sincerity and a poetic touch in both the lyrics and music, Monroe explores subtle, quiet places that spark the imagination.
Fri., Dec. 7, 8 p.m., 2007



City Pages Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com