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  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Mel Gibson and the Pants

By Pat O'Brien

Published on December 05, 2007

Like their namesake, Mel Gibson and the Pants are very much a take-it-or-leave-it flavor, and if you travel in certain circles, there is hardly a more polarizing band in Minneapolis. Their odd-yet-intriguing blend of hip hop and drum 'n' bass is the subject of much disagreement and fodder for many an argument, but, truth be told, that's usually a good sign. It means they're on to something—even if it's not totally clear what that something is. Are they too ahead of their time to be fully appreciated? Are they too derivative of Roni Size to be taken seriously? Will they be drunkenly assaulted by Mad Max himself for appropriating his name? None of these issues can be answered here, but seeing them live just once will allow you to choose a side in an argument that is sure to drag on for quite some time.
Thu., Dec. 13, 9 p.m., 2007



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