Most Popular
"Most Popular" tools sponsored by:
Blogs
Tue Jul 8, 2:12 PM
Tue Jul 8, 11:59 AM
Tue Jul 8, 12:39 PM
Tue Jul 8, 1:40 AM
Tue Jul 8, 4:12 PM
Mon Jul 7, 6:05 PM
Tue Jul 8, 1:43 PM
Tue Jul 8, 11:04 AM
Wed Jul 9, 1:01 AM
Tue Jul 8, 1:52 PM
Mon Jul 7, 4:21 PM
Mon Jul 7, 12:22 PM
Recent Articles
Recent Articles by Linda Shapiro
No related articles found
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
TU Dance
Published on November 14, 2007
Unlike other works of art, dances are created directly of the muscle and blood, skin and bones, hearts and minds of dancers who serve as muses, collaborators, and very high-caliber raw material. TU Dance's fall concerts demonstrate the remarkable synergy between this multi-endowed, multiethnic company and choreographer Uri Sands. His versatile dances energize both audience and performers by connecting to the dynamic and emotional possibilities rooted in ballet, modern, African, and jazz dance. Watching the TU dancers do their stuff, you often feel like you're experiencing molten lava crystallize into a dazzling rock formation. This program reprises "The 6 Beginnings," Sands's exuberant response to Bach's "Six Suites for Unaccompanied Cello"; an excerpt from "My Apologies," a dance that explores the pathology of relationships through ferocious partnering; and "Shapes and Gaits," in which Sands negotiates a stultifying maze of societal roles through the conventions of minstrel shows and some really sinister puppetry. Sands premieres "Beverly," based on memories of growing up in Miami, to music by R&B legends Maze, featuring Frankly Beverly, and "...And Let Go," a new duet for the sublime Eva Mohn and guest artist Nathan Trice. Also on the program is Ron Brown's translucent solo for Toni Pierce Sands.
Nov. 16-17, 8 p.m.; Sun., Nov. 18, 2 p.m., 2007