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Issue — November 14, 2007

M.I.A.

By Sarah Askari

The Department of Homeland Security must be asleep at the wheel. How else to explain the infiltration of our nation's borders by the polyglot raps and globetrotting electro-flotsam beats of Miss Maya Arulpragasam? The artist known as M.I.A., a caramel-skinned woman who adorns her adolescent frame with outfits home-sewn from original garish graffiti prints, reigned over the indie scene in 2005. That was the year she released her debut album, Arular—the year the press fawned over the mad inventiveness of the Brit-by-way-of-Sri Lanka, gossiped about her relationship with Diplo, and fidgeted over one lyric that seemed to celebrate the tenacity of the PLO(!). Then came a year of nomadism, as M.I.A. skipped from island to shantytown in search of the cross-cultural pollination and underdog energy she needed to create her follow-up. Kala may not be as danceable as its predecessor, but the tour in celebration of it can't be anything less than a multiculti genre-mashing pan-galactic throwdown. With the Cool Kids. 18+.
Tue., Nov. 20, 8 p.m., 2007

From the Author Archive
Sarah Askari
The Wild Shakes — Two great new local albums with nothing in common but their mention in this review! (Nov 7, 2007)
Flat Pipes and Firecrackers — Stook and the Jukes make music for the corner bar and, um, Amsterdam? (Oct 24, 2007)
Poised — The Women of Sick of Sarah Stand Ready to Confront the Music Machine (Oct 17, 2007)
Free at Last — Dan Wilson Finally Sends His Solo Debut out into the World (Oct 10, 2007)
Give It Away Now — Limerick Records Wants Your Ears, but Not Your Money (Oct 3, 2007)
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