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More courses followed. Fresh spaghetti sauced with a ragout of celery root and pigeon was like a forest-tinged Bolognese—mild, earthy, rich. The foie gras was served simply but elegantly, an all-but-unadorned and utterly fresh slice from local Au Bon Canard, expertly seared till it was just cooked enough to offer foie gras's elemental thrum of sweet-iron-and-butter; the tempura-battered fried chestnuts that decorated the plate were the best possible frivolous toss-offs, lighthearted and light on the palate, yet combining somehow to accent the bloody power of the foie. And the squab! Pan-roasted, with a mahogany skin and dark crimson flesh, it was meaty, lush, as deeply flavored as ripe berries, and wild-tasting; another one for the lifetime scrapbook.
It was one of those meals that was almost difficult to eat, because if you eat it, it will be gone, and brief, intense joy will vaporize in the night. Overwrought? Sure, but you'd be overwrought, too, if you'd been there. It was some flan.
I'd been putting off going to Mission American Kitchen for a while, waiting for chef Doug Flicker, formerly of dear, departed Auriga, to debut his own menus. You see, when he first took over Mission's kitchen late last winter, he was cooking the place's signature menu of every crowd-pleaser known to mankind, but when the former Mission staff departed late this summer to open sister restaurant Via in Edina, Flicker was finally able to bring in key parts of his former line at Auriga—namely, sous chef Erik Anderson and key sideman Adam "Ace" Ruhplinger—and roll out menus of his own. The food on offer since September at Mission is often nothing short of stunning.
A lunch visit yielded a white bean soup ($4) garnished with a chiffonade of sage. It tasted like a little song expressing the most graceful parts of autumn. A special of confit pork shoulder steak served with creamed artichokes, roasted artichokes, soft polenta, and spinach ($18) was as rich and satisfying as the best cassoulet, but in the way it combined its layers of thistly artichoke and deeply tender pork, it had the rare trait of seeming entirely new.
The sauce on a fresh spaghetti dish could only be described as the pale and trembling hybrid of Alfredo and carbonara. It was so wondrously creamy that my lunch date and I spent half an hour poking at it: I don't believe it! Do you believe it? Even when it was gone we kept saying we didn't believe it had been there. This must be how lottery winners live.
Dinner inspired more awe: A vast portion of quickly fried rock shrimp ($14) were so tender, so fresh, so not-overcooked (I'm looking at you, nearly everyone else in Minnesota) that the minutes spent with them were like a beach vacation.
Salmon carpaccio ($12) had pristinely fresh salmon rendered even more buttery and silky with a bit of brown butter and finely chopped hard-boiled eggs cut with olive oil. It glistened and slithered in the most appealing way.
Potted duck ($13) featured an espresso cup of sweet, simple, spoon-lickable duck pâté, the cup filled with duck confit and the plate filled out with house-baked olive oil torta crackers, blood orange marmalade, and ricotta-stuffed figs. It was classically French in the most elemental, satisfying way.
Yet, even with all of those awesome heights of cooking skill, I don't feel comfortable wholeheartedly recommending Mission. There's much that's awkward about the place, and after a number of visits I began to feel that it was like a family station wagon upgraded with a Ferrari engine. I suppose that would be fine if you just want your station wagon to work, but it's less satisfying if you keep thinking: You know, we could have a Ferrari here if only some things would change.