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National Features >
SF Weekly
A blogger steals someone else's life story and calls it her own.
By Ashley Harrell
Westword
How William Orr's quest for better, cheaper gas became a crime.
By Alan Prendergast
Miami New Times
The family of a dead judge blames a creeping fungus in the federal courthouse.
By Tim Elfrink
The Pitch
I worked at Kmart with John McCain's director of strategy.
By Alan Scherstuhl
Dia De Los Muertos
Published on October 24, 2007
The end of October and beginning of November seem to resonate as a ghoulish time of the year for many Americans. But while North Americans celebrate the season by dressing up and getting drunk or making idle threats for candy and seeing the latest Saw sequel, in many parts of Central and South America, people celebrate the first of November by giving their friends candy skulls with their names written across the top. No idle threats here. Rather, the Day of the Dead is a celebration of death as the beginning of a new stage in life. Celebrants create altars and other tributes riotous with color, texture, and taste to deceased loved ones. In honor of this tradition, Altered Esthetic is exhibiting the work of 30 national artists. Many of the pieces are, like the altars, colorful and textural and rich with irony in the way only art with so many skulls and skeletons can be, but some take a more somber look at the Day of the Dead. Among the highlights is Meryn Hall's "Little Death," a sculpture depicting a skeleton with a doll-like head holding a lollipop and riding the back of a dinosaur skeleton, as in an eerie childhood diorama. Opening reception 7:00 p.m. to 9:00 p.m. Friday November 2.
Nov. 1-Dec. 1, 2007