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  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Brave New Worlds

By Rod Smith

Published on October 03, 2007

While inspired by Aldous Huxley's tale of a crushingly dull utopia, "Brave New Worlds" doesn't offer much sloganeering—or any of the clichés that tend to dilute topical art. The exhibition's 24 artists (from 17 countries) often let the situations they portray speak completely for themselves, as in Yto Barrada's Public Park Sleepers. Regardless, the C-print's simple depiction of a figure curled under a black tarp on an expanse of lawn offers eloquence galore, along with way too much commonality for comfort: The photographer could have shot the anonymous homeless person almost anywhere in the world. Which is exactly the point. Check www.walkerart.org for a full schedule of related events, including a free Brave New Art panel talk 7:00 p.m. Thursday.
Oct. 4-Feb. 17, 2007



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